• Skip to main content
  • Skip to footer

Elaine Ambrose

Bestselling Author, Ventriloquist, & Humorist

  • Home
  • About Elaine
    • Privacy Policy
  • ALL BOOKS
  • Blog
  • Books
  • Contact
  • Storyteller
You are here: Home / Archives for #memoir

#memoir

The Eclectic Castle in the Country

October 1, 2018 By Elaine Ambrose

 

(Note: My memoir Frozen Dinners will be released in November. Here in an excerpt from Chapter Four.)

In 1965, Dad hired Uncle Muncie Mink, my mom’s brother-in-law, to build a new home two miles outside of Wendell. The unique design of the house attracted attention from curious people who drove for hours just to see it. For many years after that, strangers would think nothing of driving up to the house and asking if they could look inside.

My dad filled the house with a peculiar assortment of objects he acquired as a long-haul truck driver, including four carved busts of African tribal members. One couple smoked pipes, and both women were bare-chested. Dad insisted on displaying the busts in the living room, so Mom, a devout Sunday School teacher, hung a large rendition of Jesus over the carvings. During the holiday season, I dressed the women in red bras, and that was the highlight of my youth.

Mom tried to balance the cowboy and Indian themes with watercolors of flowers and pastoral landscapes. She added candles and crosses arranged on hand-crocheted doilies. As a result, our home resembled a pawn shop in a truck stop.

According to my father, the house was designed by a student of the famous architect Frank Lloyd Wright. I don’t remember the name of the original architect. From a distance, it looked like a massive ship marooned on a rock. Surrounded by 180 acres of farm land, the structure was designed of rock and cement and became both palace and prison. The house was constructed in a semicircle with two main towers in the center. The floors were polished cement, and the ceilings were sprayed with glitter. The round kitchen had a huge bubble skylight and curved cabinet doors. The kitchen countertops were white marble, the two bathrooms had purple toilets, and my father’s bathtub had red and black tiles. Padded doors covered with orange leather lined the hallway.

The photo from the back shows how the house was built in a semi-circle. Note the clothesline on the left and ornamental tires against the porch.

The outside walls were constructed of white stone with a slash of green glass on the wall of the living room. A screened porch circled around the back. The four bedrooms opened onto the porch and overlooked the countryside. We could walk up a jagged stone wall to get on top of the flat roof. An upper clerestory of windows circled the entrance, and on the inside rock tower, my father hung the huge silver shield with five steel swords that he brought from one of his long-haul road trips. Over the fireplace, he hung his favored metal breast-plate. The rest of his trucking treasures were stationed around the living room.

My parents in 1973 in front of the armor over the fireplace.

An attractive but unused pool table took center stage in the living room as a repository for magazines, books, coats, and various knickknacks. I guessed that the original architect would have been dismayed at the altered house plans.

Uncle Muncie was a talented local carpenter, but this became his largest project. Because the kitchen was round, the plans called for curved doors on the kitchen cabinets. Uncle Muncie learned how to construct and create the elaborate doors and install a huge skylight on the roof over the kitchen. He hired a crew to lay the massive stones for the walls and spread the concrete for the floors. At my request, he added a secret compartment in my closet for me to store gossip magazines and a pack of cigarettes that were never smoked.

Looking into the round kitchen  built beneath a huge domed skylight

The house was the first in the county to have music and speakers wired into every room. In the evening, Dad would play his favorite records that included an eclectic variety from Strauss Waltzes to The Six Fat Dutchmen.

View into the living room. Note the polished cement floors, rock walls, glitter ceiling, and busts of naked, pipe-smoking Aborigine Indians beneath a picture of Jesus.

Every morning at 6:00 a.m. my father would blare John Philip Sousa marches into our rooms, bang on the doors and holler, “Hustle, hustle. Time is money!” Then my brothers and I would hurry out of bed, pull on work clothes, and get outside to do our assigned farm chores. As I moved sprinkler pipe or hoed beets or pulled weeds in the potato fields, I often reflected on my friends who were gathered at their breakfast tables, smiling over plates of pancakes and bacon. I knew at a young age that my home life was not normal. I remember the first time I entered my friend’s home and gasped out loud at the sight of matching furniture, floral wallpaper, delicate vases full of fresh flowers, and walls plastered with family photographs, pastoral scenes, and framed Normal Rockwell prints.

In front of the shield and swords with my brother George (died at age 61) and my dad (died at age 60.)
Shield and swords near the kitchen.

On the rare occasions that I was allowed to sleep over at a friend’s house, I couldn’t believe that the family woke up calmly and gathered together to have a leisurely, pleasant breakfast. Obviously, they didn’t know time was money.

Master bedroom with padded leather closet doors, polished cement floor, rock walls, carved bust, phone on the wall, and antique cherry furniture from a mansion in Butte, Montana.

The variety of crops around the house rotated through the years and included potatoes, corn, wheat, or sugar beets. Black Angus cattle grazed in the pasture, and my horse, Star, had a stall in the barn at the west end of the property. The pastoral scene was quite ideal until my father discovered that agricultural entrepreneur J.R. Simplot was selling his hogs. My father knew that sows would have up to 13 babies at a time, a considerable economic advantage over cows that only produced one calf a year. So, he went into the hog business and within a few years there were 4,000 hogs grunting, squealing, and pooping just a half mile from the front door. My mother would sit at the table in our custom house and swat flies during dinner. The odor was horrific, but my father said it was the smell of money.

Dad introduced sprinklers on pivots to efficiently water the crops. The water often hit the house, much to my mother’s irritation.

I have no idea why my father paid to build that house. Even though he was becoming the major employer and the most successful businessman in the county, he always kept a low profile. He wore polyester work shirts, faded workpants, and old boots. He was so frugal that he would wait in airports that had pay toilets until someone came out and he’d grab the door so he didn’t have to pay a quarter to use the bathroom. Yet here it was–this dazzling stone estate on a country hill. And in that house, I wrote poems and stories, my brothers loaded shotgun shells to shoot rockchucks from the porch, my mother made rugs and read her Bibles, and my father suffered from various illnesses until he died.

Painted buckskin with iron spears hanging in the living room.
Dad requested the letter “A” made from green glass be imbedded in the rock wall around the well house in the back yard.

 

 

 

 

 

 

 

 

 

After Dad’s death, my mother lived alone in the house for sixteen years. At age 79, she was manipulated by an unscrupulous realtor from Twin Falls to sell the house and surrounding acreage for one-fourth of the value. She was slipping into dementia and wasn’t allowed to consult her adult children when she agreed to carry the contract for 20 years. The shameful real estate transaction caused the inglorious demise of the Ambrose castle in the country.

Mom at the entrance to her home before she moved. The memoir has a chapter titled, “The Book of Leona.”
The house was built by my Uncle Muncie Mink, on the left, a gentle, quiet man with a heart of gold. This photograph shows nine of my relatives. Only three are still living.

 

Frozen Dinners – A Memoir of a Fractured Family will be released in November by Brown Books Publishing. It’s available now for pre-order. The Premiere Party is Thursday, November 8 at Telaya Winery in Garden City.

 

 

 

 

 

 

 

 

Filed Under: blog Tagged With: #memoir, country castle, Frank Lloyd Wright, Frozen Dinners, home design, Idaho, irrigation

“Frozen Dinners” Premiere Party is Nov. 8 at Telaya Winery

September 13, 2018 By Elaine Ambrose


Please join the celebration at the premiere party for Frozen Dinners – A Memoir of a Fractured Family.

Details and ticket prices are listed here.

Bestselling author Elaine Ambrose departs from her award-winning humor to describe her childhood in the village of Wendell, Idaho. Her father, an intense entrepreneur, created a trucking company in 1952 to haul frozen food throughout the Northwest. His businesses grew into a multi-million-dollar empire. After his untimely death, his survivors imploded in a maelstrom of brutal courtroom drama, heartbreak, and dementia. In this new memoir, Ambrose chronicles her 50-year-search for warmth beyond the family legacy of frozen dinners.

Ambrose Trucking, 1952

Guest options include autographed books, glasses of Telaya wine, delicious “TV Dinner” appetizers, custom cedar bookmarks, live music, free prizes, and a short reading. Additional books by the author will be available for purchase for holiday and Christmas gifting.

To balance the serious memoir, Elaine will have copies of “Laugh Out Loud” – an anthology featuring 40 of the best humor writers from the Erma Bombeck Writers’ Workshop. Elaine’s short story is titled “The Music and Motors of My Life” and includes the tale of an unfortunate incident in a cattle truck.

Frozen Dinners is published by Brown Books Publishing Group of Dallas, Texas. For information about Elaine’s books, blogs, and events, see ElaineAmbrose.com.

Filed Under: blog, books, events Tagged With: #Idaho, #memoir, Christmas Shopping, Frozen Dinners, Holiday Shopping, premiere party, Telaya Winery

Please Pass the Potatoes and Poetry

August 13, 2018 By Elaine Ambrose

My upcoming memoir Frozen Dinners contains a chapter titled “Potatoes and Poetry.” The manuscript chronicles how I spent my childhood days on a potato farm near the village of Wendell, Idaho and wrote poetry and short stories after chores were finished. My first national poetry publication came when I was 12 and in junior high school.

That poem titled “Endless River,” written on the banks of the Snake River, is one of eight poems in the memoir. Now I cringe at the novice pace and irregular rhythm, but I didn’t change the poem for the book. Subsequent poems were written using techniques with iambic tetrameter, rhyme schemes, free verse, or sonnets after my English teachers taught me about meter, rhythm, and rhyme. They also encouraged me to read poets Emily Dickinson, Robert Lewis Stevenson, Robert Frost, and Walt Whitman.

I continued to write poetry and short stories through high school and college. Noting the job market wasn’t too favorable for poets, I entered a rewarding career in journalism. Now that I’m mostly retired, I intend to write more poetry.

Preliminary cover for hardcover book “Frozen Dinners” – Colors will vary

My memoir is a departure from my humorous books, including Midlife Happy Hour and Midlife Cabernet, and I was hesitant to include the poems. But, I decided to take a chance and include eight. Here are three of the poems in the book.

I wrote this poem in memory of my twin sister who never breathed.

Solitary Sibling
In the mysterious void of initial creation
I shared my mother’s womb
with a growing mass of defective development.
She came first and was promptly discarded.
I emerged yelling and the doctor was elated
at my ten fingers and ten toes.
I was worth keeping.
Now free and independent,
I avoid darkness and cramped quarters.
Still, I acknowledge my first companion
and wonder if the heartbeat I remember
was my mother’s or hers.
Did I feel my sister’s soul evaporate
as she lost her humanity?
Or did I absorb her essence?
That would explain my ambivalent beliefs
and excuse my sporadic loneliness.

This poem describes the year I rode my bike on a daily newspaper route.

1964 Town Crier
Ragged, rhythmic clouds of breath escape from my mouth
as I push my burdened bicycle over the patches of frozen snow.
Frost fills my nostrils and hardens wayward hair
poking beneath my knit hat like spikes of rigid spider legs.
The only sounds on this dark moonless morning
come from the rustle of my frozen pant legs
and my boots squeaking and crunching through the crusty layers.
I know every house on my paper route,
so I keep my head down in a futile attempt to ignore the bitter
winds that slice through my coat.
Take a newspaper from the bag, slap it into a roll,
stick it into the can, keep going.
I’m 12 years old, and I’m outside in the brutal
Idaho winter at 5:30 am to deliver 70 newspapers.
Every day. By myself.
My fingers hurt. Snot freezes on my lip.
A dog growls but doesn’t leave its shelter. Crunch. Breathe.
My bag becomes lighter as a sliver of daylight
emerges through the dark.
I arrive home, and my father sits to read the newspaper
while my mother hands me hot cocoa with marshmallows
happily bobbing and melting on top.
My aching hands circle the mug, and I lean over
so the steam can warm my face.
Silent tears roll down red cheeks.
I am the Messenger. I am the Town Crier.

This poem, written in iambic tetrameter and an ABAB rhyme scheme, won a poetry writing contest from Writers Digest.

Idaho Farm Girl
This vibrant land yields ample crops
and cradles coffins of the dead,
expanding to the mountain tops
and plunging to the canyon bed,

still clings to me on muddy feet
and tempts me not to leave so fast.
This family dirt is bittersweet;
the dust to dust of ages past.

With scratch of hoe on stubborn weed,
and boots on trails in search of space,
this sun-burned girl, the scattered seed,
returns to claim my resting place.

Three of the seven stories in my children’s book Gators & Taters are written in rhyming poetry. Still back on the farm, the first story involves a truck driver named Wendell who hauls two alligators named Cleo and Clyde. They love Idaho potatoes. Gratuitous plug: Gators & Taters won a writing award for Children’s Literature in the 2018 Independent Press Awards Competition.

Frozen Dinners – A Memoir of a Fractured Family will be released by Brown Books Publishing Group in November. The book is available for presale, and the premiere party is scheduled for November 8 at Telaya Wine Company in Garden City. The eBook version also will be available in November.

Filed Under: blog Tagged With: #memoir, Frozen Dinners, Idaho, poetry, potatoes, tv dinners, writing

Editorial Reviews are Positive for “Frozen Dinners” Memoir

July 7, 2018 By Elaine Ambrose

Frozen Dinners – A Memoir of a Fractured Family is available for pre-order. The hardcover book and eBook will be available in November. The publisher is Brown Books Publishing of Dallas, Texas.

Here is the publisher’s summary of the book.

After World War II, the United States evolved economically through an explosive combination of opportunities, entrepreneurs, and growing industries. By 1954, families began to enjoy the new pastime of evening television and increased the demand for a new product known as frozen TV dinners. A poor father and farmer from Wendell, Idaho had the audacity and vision to start his own trucking company to haul and deliver frozen food across the country and subsequently built an impressive fortune that included several successful businesses. Elaine Ambrose, a bestselling author, departs from her award-winning humor to show life as this man’s daughter. She chronicles the struggles her family experienced under the strain of an absent father and describes the high tensions and familial rivalries that arose after his untimely death. Using actual courtroom transcripts, she tells of the brutal courtroom drama that propelled her mother into dementia. She hopes to offer hope and inspiration to others who endured a contaminated family story to prove that anyone may grow beyond painful memories and find success, happiness, and warmth for themselves

Ambrose Trucking, 1952

The editorial reviews are positive. Here are two:

“Full of luscious details, clear-eyed compassion, and enduring joy, Ambrose’s memoir gives us an insider’s view of one family’s rocky pursuit of the American Dream. Even when she is relating personal stories of conflict, loss, and grief, Ambrose does so with a survivor’s voice made strong by experience, stubbornness, humor, and love.”

—Kim Barnes
Author of the Pulitzer Prize Finalist Memoir: In the Wilderness: Coming of Age in Unknown Country

“Elaine Ambrose and I share the need to write as a tangible expression of life’s milestones. This tell-all memoir, Frozen Dinners, will resonate with anyone who has endured family dysfunction and will defrost the hearts of readers everywhere.”

—Joely Fisher, actress,singer, and author of Growing Up Fisher

Ambrose Trucking, 1954

 

A premiere party and book signing event will be in Boise in November. Details to be announced.

Filed Under: blog Tagged With: #memoir, family, Idaho, inheritance, trucking, tv dinners

When Your Audience Says “Stop Talking”

June 23, 2018 By Elaine Ambrose


At a recent presentation, I was shocked when the audience seemed irritated because I was there. They refused to laugh at my jokes, so I began an energized speech sure to sway their misguided skepticism. I failed.

Throughout my writing and public relations career, I’ve presented hundreds of speeches and workshops. I follow a familiar routine of entering the room, greeting the participants, and embarking on proven techniques to earn an immediate laugh. The sparkle in their eyes and their animated body language tell me I have them in the palm of my hand. Surely, my provocative and brilliant oratory is destined to entertain and enlighten the world.

For paid appearances at national conferences, I arrange the details in advance and keep complete notebooks with facts about Power Point presentations, audio/visual equipment, handouts, room arrangements, conference schedules, key contacts, and important information about the audience. I’m less organized when I give free speeches to local organizations and usually pop into the meeting, do my thing, sell some books, and leave them laughing.

The Idaho Writers Guild organized a series of free workshops for local writers in the Boise area. Because I recently completed a memoir titled Frozen Dinners, I agreed to present a workshop about how to write a memoir. To prepare, I wrote and printed handouts and gathered business cards, bookmarks, and copies of my books. I promoted the event on social media and anticipated the two-hour workshop would be fun and easy.

I arrived at the Collister Library 20 minutes before my workshop and introduced myself to the staff. A kind woman escorted me to a meeting room full of a dozen women. I proceeded to unpack my supplies and arrange my books and materials. I noticed that they seemed aloof. That immediate rejection caused me to try harder and bring out my killer jokes, usually reserved for tepid audiences. This tactic didn’t work, so I kept talking, mentally scrambling to rearrange my outline. They continued to stare at me without emotion.

Self-doubt creeped over my confidence. Did they detect manure on my shoes because I grew up on a pig farm? Maybe my speaking career was over. Maybe I was a fraud. Maybe no one ever wanted to hear me talk or lead a workshop, and I should run away to live alone in the mountains. Then I noticed the women all had sewing projects on the table.


“Are you here for the writing workshop?” I asked.

“No. This is the weekly meeting of our needlepoint club, and we’ve been discussing new patterns,” said an older woman. I imagined her name was Blanche. She was working on a floral design for a pillowcase. The others continued to stare at me, their fingers holding pointed needles in midair.

“We didn’t know why you were speaking to us,” another woman said. She resembled my great-aunt Gertrude. “But, we didn’t know how to make you stop talking.”

I’ve heard that comment before, usually from teachers, bosses, and romantic dates. I reminded myself to stop agreeing to give workshops for free.

“I’m sorry,” I stammered as I gathered my supplies and stuffed them into my bags. “I guess you won’t want my books about menopause and midlife Cabernet.” They didn’t laugh. I made a mental note to investigate any mysterious crimes committed by stoic people who needlepoint.

I hurried out the door and wandered around the library until I found the room where my writing students were patiently waiting.


“We thought you weren’t coming,” the librarian said. She didn’t notice my eye twitching. She gave a glowing introduction and my confidence slowly returned. I arranged my books and materials, again, and launched into my workshop. They laughed within the first minute. I was back, and they were mine.

 

Filed Under: blog Tagged With: #amwriting, #humor, #memoir, #writing, Idaho Writers Guild, library, speaker, writing workshop

  How to Write the Introduction to Your Memoir

June 2, 2018 By Elaine Ambrose

If you want to write a memoir, begin with a powerful scene that provides a provocative glimpse into the story that follows. Here is the first paragraph of my upcoming memoir, Frozen Dinners – A Memoir of a Fractured Family.

“Irritated clouds of gray dust swirl behind my car and settle back onto the patches of scruffy sagebrush as I drive a back road into the village of Wendell, Idaho. I turn down 4th Avenue and stop in front of an insignificant old house where my family lived before my father became rich. Decades of decay and neglect are exposed as cheap vinyl siding sags on the outside walls and dead vines hang on crooked trellises over weathered boards thirsty for paint. I stare at the window of my former bedroom and wonder if it’s still nailed shut.”

Those four sentences reveal several essential facts to the story through key words and phrases. The words “village of Wendell, Idaho” tell readers the location of my small hometown. The phrase “before my father became rich” adds an interesting element in the second sentence. The third sentence about “decades of decay” offers a glimpse into a memoir about loss and longing.  By the fourth sentence, I intend to hook the reader with the words “wonder if it’s still nailed shut.”

Why was my childhood window nailed shut? Keep reading to learn the truth.  Also, to emphasize immediacy, the first chapter is written in present tense. The remaining chapters are in past tense.

Everyone has a story, and you should consider writing yours. Your life’s history contains a series of pivotal scenes that incorporate all the senses and emotions. List the important memories and then review them for the basis of an outline for your memoir. Do certain times and events seem more compelling that others? What is the essence of your story? How do you begin?

My memoir first percolated in my mind more than twenty years ago, and I adjusted the intensity of my writing for several years, often jumping into the mess of words only to quit and relinquish everything to the back burner. How do I, as a humor writer, rip open the scars to inspect the pain of the past? I couldn’t finish it, so I sporadically wrote additional chapters for the manuscript while working on humorous books, including Menopause Sucks, Midlife Cabernet, and Midlife Happy Hour.

My mother’s death in 2014, followed three years later by the death of my younger brother George, convinced me to complete the book. The memoir will be released in the fall by Brown Books Publishing.

Write Your Memoir – Free Workshop in Boise

The Idaho Writers Guild offers a full schedule of free workshops for beginning and intermediate writers. I’ll be presenting a memoir writing class on Thursday, June 21 at the Library at Collister, 4724 W State Street in Boise. The workshop, titled “Your Memoir – How to Avoid Flirting with Fiction,” begins at 7:00 with a 90-minute interactive session followed by audience discussion. The event is free and open to the public. Intermediate writers are encouraged to attend.

The workshop will focus on how to outline a memoir and how to separate fact from fiction. Worksheets will emphasize the importance of an opening paragraph to set the stage for the rest of the story.

 

 

 

 

 

Filed Under: blog Tagged With: #amwriting, #memoir, Idaho Writers Guild, Library at Collister, writing

  • « Go to Previous Page
  • Page 1
  • Page 2
  • Page 3
  • Page 4
  • Page 5
  • Go to Next Page »

Footer

Awards

awards

Badges

badges from other sites

Awards

awards

©2022 Elaine Ambrose | Designed & Maintained by Technology-Therapist

 

Loading Comments...